Justin Smith writes: “At a cultural moment when psychedelics are getting a second wind, and even someone as upstanding as Michael Pollan has moved from counseling us to eat our roughage to praising the benefits of microdosing, philosophers are conducting themselves as though it were still 1950, when we wore skinny ties to colloquia, got funding from the RAND Corporation to work on decision trees and other such narrow and straitlaced endeavors, and all knew that it is the unaltered and wakeful mind that has exclusive access to the forms and qualities of the external world. I am a philosopher who has taken an interest, of late, in psychedelic experimentation, and I find that my experiments have significantly widened the range of accounts of the nature of reality that I am disposed to take seriously. If you think you are in an emotional state to handle it, and in a legal jurisdiction that permits it, I would recommend that you try some.”

The sonnets of Michelangelo
Most famous for painting the Sistine Chapel and his sculpture of David, the Italian Renaissance artist Michelangelo was also a prolific poet, in his lifetime penning more than 300 sonnets and madrigals. It is in his poetry that many critics have seen present the clearest evidence of his homosexual leanings. The openly homoerotic nature of the poetry has been a source of discomfort to later generations. Michelangelo’s grandnephew, Michelangelo the Younger, published them in 1623 with the gender of pronouns changed, and it was not until John Addington Symonds translated them into English in 1878 that the original genders were restored – the book featured here is a later edition of this work which features the Symonds translations side-by-side with the original Italian (see here for the 1st edition, with no Italian). Even in modern times some scholars continue to insist that, despite the restoration of the pronouns, the sonnets represent “an emotionless and elegant re-imagining of Platonic dialogue, an expression of refined sensibilities.”
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